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If you want more details on this lens, e-mail me at o/l/n/g/w/b AT yahoo.com I added the "/" and "AT" so that programs made to pickup on e-mail addresses would not find it. I plan to add it to my site finally so that you do not have to really on comments alone. That way questions can be directed to me and if you e-mail me your e-mail address will remain confidential!
ALL of these shots were taken from such a distance that capturing specimens was not required. That's right, this spider did not even know she was being photographed even at this detail. BE SURE TO CLICK ON SHOTS FOR 1080 res.
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This is a CRANE FLY that I captured with the new lens complex I figured out just last month. I'd had the gear for well over a year, yet not figured out the combination that made these pictures possible. This crane fly only saw the flash, it was not frozen or taken away from the light I used to show it. The same lens without the dioper is easy to remove and put back on. It can capture birds at up to about 60ft or so, give or take about 20ft. Great bird and other shots have been stunning me and my friends. There are more shots with this incredible versatile lens setup to come. There is no need to remove any components, and it can zoom in to get a nice macro or capture a bird 50ft away with the best detail and closeness of any lens I own.
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A QUICK SHOT of the crane fly from a distance of about 5-7 ft. Required to get a close up shot with this lens. Just to show the entire insect.
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DETAIL can get incredible but f-stops have to fly into the 30+ just to try this. You don't need a macro lens to get these shots. Esthetically I constructed my own very versatile macro rig. The entire rig cost would be about $1000 new. compared to the usual $5000-10,000 in other more "serious" rigs. It's often the same glass and the same principles. Sometimes hardened a bit more to take more abuse, but still, the camera world is one of the most corrupt businesses around. When I was told by several pros that very popular photographers are often "bought" by loyalty or companies to leave out details in there reviews, I was shocked. This is of course in order to leave out very important details in order to make one camera look really bad and one much better. Reviews, don't trust them. Talk to someone who owns the rig and has experience on others. Reviewers get paid big money --on line and in magazines even the most reputable--to exaggerate, leave out facts, and even straight up lie.
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This shot I captured on a walk with my girlfriend Alina. I am inspired by spring and all the growth that happens.
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BELOW A NEW SPIDER FOUND!
(for me, re-visited now, full DETAIL with new lens)
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This is a fully grown female in good shape with some serious detail I love about my new lens setup. Once again, the same lens complex to photograph the finch above a few shots was used to take this shot with the very simple addition of a dioper (a magnifying section that usually clips or screws onto the end of a camera lens, basically, just a magnifying lens HQ glass)
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Even closer, there is no cropping here. That's what so incredible. This pushes the limits of focus ability with this kind of field lens and the limits of micrographic or microscopic- photography.
In this day and age of water resistant SLRs I hang onto my Cannon D10 and it's very handy features. She's running at about 35mm equiv. in all the places in counts. And she's got all the high end gismos that you still have to buy a near pro or totally pro-cam to get. One feature is stability and a very good view in the viewfinder. Also, the ability to be heavy enough to stay stable without having to buy an image stabilized lens or DSLR. I've used them, they hog power sometimes, and frankly, I don't need one. My XTI does a bit higher res but makes much bigger shots as does my E-500. The RAW output of my 10D, really hits the spot for stuff, even at 800ISO on a regular basis. I have photographed this spider before, but had a very hard time doing so. To have a lens setup that works with both my 10D, my 400D (exit), and my Rebel2000 35mm, is really nice. Much of this gear was either a gift or a swap. You don't have to go high budget to get shots that are worth it and if you look at many photo contests you will notice that the camera's used in them are way out of 'style". Part of the reason I don't like some photo clubs is because some photographers seem to care more about how there camera's and gear look, then there pictures. To them I say, get a nice car and take care of it. If you want good pictures, a camera is all you need. Especially since many of the shots on this website were taken with a point and shoot $100 digital camera modified with a few lenses taken from old broken video cameras and other junk lens gear I adapted and learned how to use well. You don't even need what I got to get your work out there. I hope this new lens opens up the world I want it too I really want to start entering some of the serious contests but honestly at this point am just getting started with that as I have been just doing my own thing for a while. Some photographers have advised I write little or nothing with my pics, however, I often think that some information about the pics, cameras, and my life, can add to the shot and my chances at getting noticed more. Over 60 pics, mostly from Bali and other shots I did are now on Flkr. Some of which may not even be on this site. I will be very excited at 20,000 hits!
I welcome fan mail and I am very sorry I was unable to get back to a recent letter. I was sick and did not check my e-mail for quite a while, then when I did write back I did not get any response. So please, if you do wish to ask me a question, please request my e-mail address. I will send it to you. If you have Yahoo Messenger I can also be contacted that way. Please leave comment and I will answer questions as I can.