Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

Monday, May 05, 2008

NEW PICS AND NEWS ! - - SUPER LENS ! - - SUPER CLOSE UP !

First off, here is a picture taken by my girlfriend, Alina. Who is also somewhat into photography. This is one of her best shots so far since I set her loose on a DSLR. She has captured this one in my yard. I thank my neighbors for being understanding about my yard. Growing flowers and natural plants has become the only way for me to capture images like these. If I had a regular manicured yard, more than 50% of this website, detailed pictures such as praying mantis shots. would not exist.



NEW LENS not really. This is a NEW VIEW from a new lens setup. In an SLR you can arrange the lens and lens components differently. I wont go into details at this point; however, the use of a quality teli-converter and extension tubes can produce incredible results. For more lens information, including how to build the complex setup that took nearly ALL of these shots in this clip and others, please leave a comment. You don't need $5000+ to get great tale-photo and macro shots. Many of these were shot at F32-F40 70-300mm Cannon lens 2x tele-converter and one extension tube. Additional home built dioper used as well.

If you want more details on this lens, e-mail me at o/l/n/g/w/b AT yahoo.com I added the "/" and "AT" so that programs made to pickup on e-mail addresses would not find it. I plan to add it to my site finally so that you do not have to really on comments alone. That way questions can be directed to me and if you e-mail me your e-mail address will remain confidential!

ALL of these shots were taken from such a distance that capturing specimens was not required. That's right, this spider did not even know she was being photographed even at this detail. BE SURE TO CLICK ON SHOTS FOR 1080 res.





This is a CRANE FLY that I captured with the new lens complex I figured out just last month. I'd had the gear for well over a year, yet not figured out the combination that made these pictures possible. This crane fly only saw the flash, it was not frozen or taken away from the light I used to show it. The same lens without the dioper is easy to remove and put back on. It can capture birds at up to about 60ft or so, give or take about 20ft. Great bird and other shots have been stunning me and my friends. There are more shots with this incredible versatile lens setup to come. There is no need to remove any components, and it can zoom in to get a nice macro or capture a bird 50ft away with the best detail and closeness of any lens I own.




A QUICK SHOT of the crane fly from a distance of about 5-7 ft. Required to get a close up shot with this lens. Just to show the entire insect.


DETAIL can get incredible but f-stops have to fly into the 30+ just to try this. You don't need a macro lens to get these shots. Esthetically I constructed my own very versatile macro rig. The entire rig cost would be about $1000 new. compared to the usual $5000-10,000 in other more "serious" rigs. It's often the same glass and the same principles. Sometimes hardened a bit more to take more abuse, but still, the camera world is one of the most corrupt businesses around. When I was told by several pros that very popular photographers are often "bought" by loyalty or companies to leave out details in there reviews, I was shocked. This is of course in order to leave out very important details in order to make one camera look really bad and one much better. Reviews, don't trust them. Talk to someone who owns the rig and has experience on others. Reviewers get paid big money --on line and in magazines even the most reputable--to exaggerate, leave out facts, and even straight up lie.


ONCE AGAIN, this new lens complex gives me the anatomy of this Daddy longlegs. She has been slightly darkened to allow for more contrast. You can clearly see her book lungs and her female organs (Epigynum) and lack of bulbs on the pedipalps in this picture and others I took like it.


Be sure to click on this Click Bug. This is one of many insects which come to my porch lights in my grass in the small yard at night. They can click so powerfully that if turned upside down it can save it self from dieing. This can often happens to many beetles when they get turned over like turtles in the desert. Larger species over an inch long exist in some places from California to Asia.


This is a very common "grass spider". Many myths and names exist for this species. Probably the most common northwest spider in Oregon and Washington. Here you can see it in a web built by a previous inhabitants. They will not share webs but will swap them or find old ones and re-use them. Most spiders eat there webs upon moving as a means of recycling protein. The same lens was used for this shot as the crane fly with only focus and zoom adjustments.

For a spider that is only about 8mm or less, you need F30 to really capture it's entire length. I forget my f-stop here but again shot with the same lens. The white tip is a common spider out here in The Dalles, like the Sac Spider it is related too, it lives in a sack but is not at all social. Known to pray on nearly anything it finds alive. Deserving it's name, "white tip". The white markings vary.



This shot I captured on a walk with my girlfriend Alina. I am inspired by spring and all the growth that happens.

THE LENS SHOWS IT STUFF this little finch is nearly 30ft away, yet with my Cannon 10D the focus was perfect. For this lens I often use manual focus, and relay upon experience to show me if the shot will be good. I forget my settings but I do recall I was at ISO800 for many of these shots and doing very well. The lens can stop down to F4 but for birds I try to give depth to detail at F5.6-8 or so. ISO 200 would have been better but that day I had forgotten my settings that's why I remember.

BELOW A NEW SPIDER FOUND!
(for me, re-visited now, full DETAIL with new lens)



I WAS GOING to write a new article on this species. A NEW ONE to me. Out here in The Dalles or even in Portland I could find a new species (I have never found before) even though I've been doing this for over 20 years. This spider, is eating a huge Ichneumon wasp. This species does not have any sting for a self defense as far as I know. You can tell how small this spider is, in fact, it is so small that many books have a hard time showing it's picture. When fully grown 2mm or so is it for the body.



This is a fully grown female in good shape with some serious detail I love about my new lens setup. Once again, the same lens complex to photograph the finch above a few shots was used to take this shot with the very simple addition of a dioper (a magnifying section that usually clips or screws onto the end of a camera lens, basically, just a magnifying lens HQ glass)


Deadly Mouth to mouth.


That is my pointer finger nail here, is NOT my thumb. It's my Index finger! This is a TINY fly I have yet to fully identify but the name comes to mind. A means of extreme shooting for flies has now been found with my gear. This rig will exceed anything I have used the more I use it. At F40 and no need for "aperture plugs", shots in the dark are not required anymore. It takes a few shots, and a very stable hand, but that's it.



Even closer, there is no cropping here. That's what so incredible. This pushes the limits of focus ability with this kind of field lens and the limits of micrographic or microscopic- photography.

In this day and age of water resistant SLRs I hang onto my Cannon D10 and it's very handy features. She's running at about 35mm equiv. in all the places in counts. And she's got all the high end gismos that you still have to buy a near pro or totally pro-cam to get. One feature is stability and a very good view in the viewfinder. Also, the ability to be heavy enough to stay stable without having to buy an image stabilized lens or DSLR. I've used them, they hog power sometimes, and frankly, I don't need one. My XTI does a bit higher res but makes much bigger shots as does my E-500. The RAW output of my 10D, really hits the spot for stuff, even at 800ISO on a regular basis. I have photographed this spider before, but had a very hard time doing so. To have a lens setup that works with both my 10D, my 400D (exit), and my Rebel2000 35mm, is really nice. Much of this gear was either a gift or a swap. You don't have to go high budget to get shots that are worth it and if you look at many photo contests you will notice that the camera's used in them are way out of 'style". Part of the reason I don't like some photo clubs is because some photographers seem to care more about how there camera's and gear look, then there pictures. To them I say, get a nice car and take care of it. If you want good pictures, a camera is all you need. Especially since many of the shots on this website were taken with a point and shoot $100 digital camera modified with a few lenses taken from old broken video cameras and other junk lens gear I adapted and learned how to use well. You don't even need what I got to get your work out there. I hope this new lens opens up the world I want it too I really want to start entering some of the serious contests but honestly at this point am just getting started with that as I have been just doing my own thing for a while. Some photographers have advised I write little or nothing with my pics, however, I often think that some information about the pics, cameras, and my life, can add to the shot and my chances at getting noticed more. Over 60 pics, mostly from Bali and other shots I did are now on Flkr. Some of which may not even be on this site. I will be very excited at 20,000 hits!

I welcome fan mail and I am very sorry I was unable to get back to a recent letter. I was sick and did not check my e-mail for quite a while, then when I did write back I did not get any response. So please, if you do wish to ask me a question, please request my e-mail address. I will send it to you. If you have Yahoo Messenger I can also be contacted that way. Please leave comment and I will answer questions as I can.

Sunday, February 10, 2008

Colors of winter 2007-2008

This is pretty much the way The Dalles is right now. I took this shot from my pourch with my longest lens setup. It's about 800mm 35mm equiv. From the deck, this mountain is only about two fingers high and this is not a crop. Some teli-converters do a very good job.

I caought this lucky shot from the car! It can be a real hassle to be in a car trying to take pictures. On a nice day however, you can bring your shutter speed up high enough that you won't have image degridation. This is the "Sternwheeler" A famos old ship that actually runs on it's sturnwheeler system. Many of these boats use modern propulsion and just have the paddle wheel for show. I remember hearing about how this one actually is real. Restored, you can cruse up the river in it for a price, I forgot how much but it's not a fortune.

Things are looking like this now, on a day at the OHSU, I got this and several other lucky shots last year.


I REALLY like my old Cannon 10D with my 50mm F1.8 lens. At f1.8 digital pictures kind of come alive. There's absolutely no substitute for the real thing. Of course you can digitally
add blur, but having the lens is well worth it. And Cannon makes a nice one for under $200.
No, it's not super-rugged, but it works very well when you want to get creative. Add an extension tube, and you have a nice close-up kit. Allot of my nighttime pictures have been done with my Cannon 10D. The camera was over $1,600 if I recall, without a lens in 2004. I find 6.3mp surprisingly effective for what I do. Comparable to good 35mm film. The 10D has a very fast system for processing long exposures. I'm not sure how that works exactly, but most cameras from compact to three other digital SLRs I have used from the E-500 to my XTi (400D) and Nikon D40, it takes about 30 more sec. to process a 30 sec exposure. Often it's really cold outside, and I want to get it done. The 10D surprisingly crunches the picture in under 5sec. Slowed down? I'm not sure, but the 10D was for a time, Cannon's 2nd to only to the pro-camera.

Just a few weeks ago, we had a near-blizzard here. I have a whole bunch of pictures I have not yet processed for my site about this. This is another shot showing the power of my new lens rig. It's actually a teli-converter setup, but it works very well. This shot was a serious distance with no tripod.


I love how everything changes when it snows. Lighting, contrast, and so much more. My best night shots which I am getting more and more interested in, have yet to make it to this site.


Deep freeze. Houses got snow, then it froze, and we got some snow action and ice-cycles this year. Small, but at least we had them. A portable temperature probe sensitive enough for use in processing film, recorded the lowest temperatures here during the freeze here in The Dalles at 15F. It can get colder and this was on my deck. The depth of field here is shallow enough that only a mid-range of the ice-cycles is is captured.

One of the many back-roads from the old-Dalles. If you click this picture you might see the effects of having a lens that can focus with such a thin depth of field giving a sense of depth to the image. The lower your F-stop the more creative you can be with this. Distant objects appear blurred slightly, showing there distance.


FINALLY! I got Photoshop running on my laptop again! So I was able to remove ugly power lines from this shot.


This is a lot near where I live when the snow was as deep as it got and falling, I was out with my Cannon 10D and 400D cameras. I got one of those water-resistant bags you can put the camera in, it was effective. You may wonder how to capture snowflakes. A simple secret. If it's snowing and you want to catch the snow, USE YOUR FLASH. As long as you can turn it on manually (nearly all cameras you can, even cheap ones) Flashing snow in a blizzard will make it look as good as it does to you. How bright it is outside has nothing to do with it. This picture also had large power-lines in it. To remote utility lines from a tight spot, use the healing tool very carefully. Set your pen-size to match the wire or be just slightly larger. Slide it up to only a moderately larger size and you won't get it. One size does not fit all. The tool copies data from it's surroundings and fills in the blanks. Trace very carefully and you can take out Utility lines no matter how big and ugly they are.

Monday, December 31, 2007

New things and timeless ideas

I admit, I've been kind of slacking off on pictures. I finally woke up and decided it's time to look that special woman to share my life with. I call this shot "Power spot" it's not a Photoshop
construction this is a real scene I caught here near where I live in The Dalles Oregon.

Sometime long before light and after midnight, I took a bunch of long exposures in the light of the full moon. This is one of my favorite places to take pictures from. I believe the exposure time here was about 20sec. It did not take a really long exposure. 60sec will turn most situations with any light whatsoever into almost a daytime scene. Click these pics for 1080 view!

I got this... This as you will see is a very fragile web of watter drops was not disturbed in photographing despite the fact that it was less then an inch wide.


....and this...


....and this...

From this! I try to find things that people don't think of. Details, out of the box type stuff. I hit mine of interest when I found this one. A tiny spider web collected dew drops on it. I viewed it like a lecture I watched on quantum mechanics.

shot details: DSLR=Canon (400D) RebXTI, extension tube and teli-converter complex
Since I had a teli-converter once that was so bad it actually had bubbles in the glass! I'm not kidding. I figured they were all junk. Then I thought about optics and figured out that the optical process of a teli-converter is often the same used in very high-end lenses. So if you want an 800mm lens on you DSLR and don't have an extra $2500+ to get one.. then try and find a new, good, teli-converter. The digital high-end one I got turned my 30-300mm into over 800mm (35mm equiv.) it also can enhance macro setups. Factored in with the Canon 400Ds digital frame size. It also works well on my 10D. An older camera, but with great controls and built tough, it's worth 6.3mp. I am happy not to always run out of space so fast and 30x40' is as big as I usually ever want to try to print. Don't be ashamed of 6mp in a digital SLR. Shoot RAW and you will still get awesome shots. Used pro-gear or high-end cameras can be really good deals.

Catching animals in flight is easy with a good SLR. But be sure and use the auto focus!

My dad's dog, Mombo, one of the first shots I took with the teli-converter. I can shoot detailed insect and spider shots from incredible distances, as well as get closeups of animals without alarming them. This is a bit blurry but that's only because I was not trying. This was one of those "test shots" and turned out to be worth keeping.


Ghosts? Now before you get mad at me for telling everyone what "orbs" are. I have not made up my mind on the whole issue. One thing I do know, tiny dust particles kicked up by movement or in this case.....snow, will cause the same effects reported to be ghosts in spirit-form photographs. In the digital age belief in these became quick and popular since most people don't know enough about optics to know why they are there. A small particle reflecting light form a flash or even sunlight will be at a different focal length then what you are focused on. As you can see, the size of the "orbs" here are larger as the get closer to the camera because they are more and more out of focus. Today's fast digital cameras do everything and do it fast so I can well imagine why someone would see some reflection like these moving in a draft and think it is a larger object with features. I am not closed minded on the issue, I only know that there's tons of dust in old insulation and our cloths..plenty to produce allot of optical illusions that are seen in supposed ghost "spirit orb" photos. Be scientific about your paranormal ideas. The
old rule called "Akim's razor". The simplest answer tends to be the correct one so explore it first. I think that evidence for spirits in a particular place is far more convincing when it comes from someone who knows nothing of the place and can tell you the story about who lived there and what happened before they even do. Or police cases that seem imposable cracked by some inocent lady who does not even watch TV. Dust (or in this case snow) out of focus is far more simple in concept then a spirit of a human being floating inside an old dusty Attic.


I like showing people worlds that they ordinarily don't look like. The more powerful my macro abilities get, the more I am able to explore. The infinite beauty of nature never ceases to amaze
me.

This is a creek that goes to a lake that we are at. It was very overexposed. Sometimes with my Canon 10D, I find incredibly that if you shoot at iso100-200 and see almost nothing in an underexposure, USE RAW and what you will find will amaze you. A great picture. The 10D
is able to do this better then my 400D. So sometimes I deliberately just work with the 10D when I need a higher speed and don't have it. Bringing a shot up from near total nothing in RAW. IN this case, it was so badly overexposed that I nearly did not make it. I used the RAW controls to bring it back.


More Ghostly photos? No, it's not a double exposure. I went out walking about 3 in the morning and decided to put my camera on someones garbage can and try this shot. I took a 30sec exposure and ran out into the shot, falling as if hit by a car. Then I had enough time to get out of the picture and come back. The best way to do this is to use your camera's timer to
open the shutter. That way, the effect you see here, a bit of a blur from movement, won't happen. It was cold but I pulled it off. A double exposure or a photo shop merge would have taken allot longer and been more complicated. This SLR has a double exposure feature with
in camera editing that works as well. The D40, D80 Nikon series has it I know for sure.

This is the future of fossil fuels. Period.
On the migration or whatever, I'm not sure, a huge flock of small birds flew up near me while before I got on a bus to Portland a while back.

I brought this back without knowing it. I forget what camera I took it with, but it is the wing of an airpline where the white ballence was off. Chances are, it was from my Nikon EM 35mm and the film happened to create nice colors due to low light.
This is in Honor of my Grandpa, Harry Wold. A decorated war veteran, and a great man. We will always remember the good times that we had and the things that you taught us. He's not going to be barred, but by chance I got this picture ready after a train trip I took it on. It's a distant old graveyard flanked by trees. Most of these pictures are 1080 so click on it to see more. My Grandpa has been in the Veteran's home after a stroke 8 years ago made life nearly impossible for him. We are glad that he can finally rest. I don't have any pictures of him on hand or I would put it here. He was a truly good man and I know he went home with honor.

Sunday, December 30, 2007

YES! I AM BACK

= pMy uuncle has basidcly been my mentor in photography, and also helped me get home we slowed down just enough for me to snap this, an unexpected real picture. I justid some ligd-